At the end of this month we will be making a second trip to Angkor in Cambodia. There are too many sites within the complex to cover in only one visit.

Angkor was the capital of the Khmer kingdom for 600 years or so from around 800 CE. Most of the structures were built in wood, but the religious monuments were built in stone and it is these that have persisted. At its height in 13th century, the Khmer empire covered most of the area of present day Cambodia, Laos and Thailand. In subsequent centuries it lost ground to the empire of Siam based at Ayutthaya and, possibly as a consequence, the capital moved to Phnom Penh in the 15th century and the importance of the site declined. It became known to Europeans when the notes of the naturalist Henri Drouhat were published in 1863.

The finest carvings are found at Banteay Srei, dating from the reign of Rajendravarman (944-968). Angkor Wat itself was constructed during the reign of Suryavarman II (1113-1150). The larger city of Angkor Thom, the name means great city, was built nearby in the reign of Jayavarman VII (1181-1220). Many visits end at sunset on the hill top of Phnom Bakheng (907). Further afield, it is worth travelling to Kbal Spean, upriver of Angkor, where reliefs of Vishnu and Brahma and thousands of Shiva lingam were carved into the river bed during the reign of Udayadityavarman II (1050-1066). Preah Vihear, up on the Thai border, dates from the reign of Suryavarman I (1002-1050), but because of the border dispute, is not easily accessible at the moment.

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I enjoyed watching the new film ‘Sherlock Holmes: A Game of Shadows’ at the cinema, but I also had the sense that, somewhere close by, there was a much better film. Not a different film but a better execution of this one.

The most striking sequence in the film is a chase through the woods as Holmes and his party make their escape from the armaments factory. In slow motion, so the people are just moving and we can track the path of the bullets, it could be a scene from a wuxia movie, a greyed out northern forest replacing the bamboo groves of China. The scenes where Holmes and Moriarty anticipate the moves they will make in combat could have come from the same movie.

And it’s not that this is not an authentic Holmes. There is plenty of warrant in the original stories for the disguises, the theatricality, the hyper-activity and instability. Is there a deliberate echo of Heath Ledger’s Joker in Downey’s smudged make-up at the end of the fight on the train?

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At the weekend our local cinema ran a short season of Argentinean films. We managed to get to a couple of them.

La Cámara Oscura (The Camera Obscura -2009) is a film by Maria Victoria Menis based on a short story by Argentinean writer Angélica Gorodischer, set in the last 18th and early 19th century ago among Jewish immigrants escaping the pogroms in Europe.

Gertrudis, the principal character, is a woman who has almost disappeared from her own life. Largely unspeaking, her inner life is conveyed to us in animated sequences, and by reflection in her appreciation of the beauty of the countryside, her flower garden, her daughters’ dresses, the food she prepares, and her table settings. Her son only realizes she is gone because the table from the night before has not been cleared.

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