At the Cinema


I enjoyed watching the new film ‘Sherlock Holmes: A Game of Shadows’ at the cinema, but I also had the sense that, somewhere close by, there was a much better film. Not a different film but a better execution of this one.

The most striking sequence in the film is a chase through the woods as Holmes and his party make their escape from the armaments factory. In slow motion, so the people are just moving and we can track the path of the bullets, it could be a scene from a wuxia movie, a greyed out northern forest replacing the bamboo groves of China. The scenes where Holmes and Moriarty anticipate the moves they will make in combat could have come from the same movie.

And it’s not that this is not an authentic Holmes. There is plenty of warrant in the original stories for the disguises, the theatricality, the hyper-activity and instability. Is there a deliberate echo of Heath Ledger’s Joker in Downey’s smudged make-up at the end of the fight on the train?

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At the weekend our local cinema ran a short season of Argentinean films. We managed to get to a couple of them.

La Cámara Oscura (The Camera Obscura -2009) is a film by Maria Victoria Menis based on a short story by Argentinean writer Angélica Gorodischer, set in the last 18th and early 19th century ago among Jewish immigrants escaping the pogroms in Europe.

Gertrudis, the principal character, is a woman who has almost disappeared from her own life. Largely unspeaking, her inner life is conveyed to us in animated sequences, and by reflection in her appreciation of the beauty of the countryside, her flower garden, her daughters’ dresses, the food she prepares, and her table settings. Her son only realizes she is gone because the table from the night before has not been cleared.

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